The determination to handle even unpleasant aspects of one’s culture in a humorous-yet-serious way is something that has actually been ever-present in the media. Social concerns, along with the periodic political issue, can all of a sudden be the focal conversation point of episodes of popular shows, with some more prominent ones becoming the focus of entire series. The Japanese hikikomori problem, along with the standard social stress and anxiety and hints of schizophrenia that being a hikikomori involves, has ended up being the property of a fairly current franchise including an anime, comic, and novel series known just as “Welcome to the NHK.”
Being a social shut-in, he is likewise regularly seen to exhibit another Japanese sub-culture-turned-problem: that of being an obsessive anime otaku. For the unfamiliar, the Japanese see the otaku sub-culture as a prospective social problem, mainly due to the fact that most of these individuals have a slightly compromised grip on reality, choosing to focus their time, effort, and attention on numerous forms of entertainment. The sub-culture displays indications that are translated as social anxiety, though they sometimes appear to have rather regular social interactions on the uncommon events where large numbers of otaku gather.
This conspiracy, understood as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is noteworthy that while Sato initially thinks the female lead, Misaki Nakahara, to be one of these agents, he never in fact takes the time to detail what the NHK hopes to attain by turning the entire male population of Japan into socially-inept shut-ins.
Together with a variety of other characters, some of which appear to be representatives of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most uncommon methods. Part of the interaction between the two leads stems from Misaki’s contract with Sato, which states that as soon as every night, she is to lecture him on how to conquer his social stress and anxiety and become a regular, functioning member of society again. Naturally, to supply home entertainment worth, not everything goes as planned, with Sato experiencing whatever from panic attacks due to being outdoors his home, to having Misaki pretend to be his sweetheart to fool his checking out mom.
av쏘걸 Aside from the abovementioned subcultures, the show likewise quickly touches upon other elements of Japanese culture. This includes the flourishing independent video gaming circuit, the “Internet suicide pacts” issue, and other Japanese social tricks. It must be kept in mind that, regardless of the title of the program, the network NHK never in fact aired “Welcome to the NHK.” Hence, unlike the books, the show does not clearly link the NHK conspiracy to the NHK tv network.
The Japanese hikikomori problem, along with the basic social anxiety and hints of schizophrenia that being a hikikomori involves, has actually become the property of a fairly current franchise consisting of an anime, comic, and unique series known merely as “Welcome to the NHK.”
This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is noteworthy that while Sato at first thinks the female lead, Misaki Nakahara, to be one of these agents, he never ever really takes the time to information what the NHK hopes to achieve by turning the whole male population of Japan into socially-inept shut-ins.
Thus, unlike the novels, the program does not explicitly connect the NHK conspiracy to the NHK tv network.